“We simply begin by improvising,” says Helena Gaunt. Whenever they meet, in any setting, Helena Gaunt and Bart van Rosmalen simply start by playing. You cannot theorise beforehand, because there is nothing yet to theorise on. The situation in improvisation is that you know that you don’t know; there is no time and there are no criteria for deciding whether something is good or bad. You have to postpone your judgement. Bart van Rosmalen: “And you need that for the creative situation; you have to take intuitive decisions.” Exercising improvisation helps you to develop this ability of postponing the judgement. Like Miles Davis said: “Play it first , and tell what it is later.”
Tag Archive for 'imitation'
How does one exercise improvisation? Helena Gaunt and Bart van Rosmalen have developed a way of beginning they call the Stravinsky exercise: start playing using only a few notes, a single pattern, and the methods of variation. Bart van Rosmalen: “It is like meeting someone saying: ‘Hi how are you, where do you come from?’ It is musical chitchat.” The result is becoming more aware of your influence on any communicative situation. It opens up the possibilities for conversation to happen.
On September 5, 2007 Helena Gaunt and Bart van Rosmalen collaborated with painter Liselot Schut in an improvisation in image and sound. This post shows excerpts from the film that was made out of this collaboration, and Bart van Rosmalen sharing his thoughts on this kind of interdisciplinary improvisation. He noted, for example, certain similarities in the way a musician and a painter move, using a pencil, a bow , or their breath. There is also the symbolic language of the image that can inspire playing music. All in all, this kind of improvisation opens up a realm where one can express levels of emotion which are not generally accessed through everyday conversation.
